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Editionsbericht
Literatur: Wilde
Literatur: Wilde-Rezeption
Literatur: Keats-Rezeption
Literatur: Sonett
Literatur: The Century Guild Hobby Horse
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Texte zur Baudelaire-Rezeption
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DURING my tour in America I happened one evening to find myself in Louisville, Kentucky. The subject I had selected to speak on was the Mission of Art in the Nineteenth Century, and in the course of my lecture I had occasion to quote Keats' Sonnet on Blue as an example of the poet's delicate sense of colour-harmonies. When my lecture was concluded there came round to see me a lady of middle age, with a sweet gentle manner and a most musical voice. She introduced herself to me as Mrs. Speed, the daughter of George Keats, and invited me to come and examine the Keats manuscripts in her possession. I spent most of the next day with her, reading the letters of Keats to her father, some of which were at that time unpublished, poring over torn yellow leaves and faded scraps of paper, and wondering at the little Dante in which Keats had written those marvellous notes on Milton. Some months afterwards when I was in California I received a letter from Mrs. Speed asking my acceptance of the original manuscript of the sonnet which I had quoted in my lecture. This manuscript I have had reproduced here, as it seems to me to possess much psychological interest. It shows us the conditions that preceded the perfected form, the gradual growth, not of the conception but of the expression, and the workings of that spirit of selection which is the secret of style. In the case of poetry, as in the case of the other arts, what may appear to be simply technicalities [84] of method are in their essence spiritual, not mechanical, and although, in all lovely work, what concerns us is the ultimate form, not the conditions that necessitate that form, yet the preference that precedes perfection, the evolution of the beauty, and the mere making of the music, have, if not their artistic value, at least their value to the artist.
Erstdruck und Druckvorlage
The Century Guild Hobby Horse.
Bd. 1, 1886, Nr. 3, Juli, S. 83-86.
Unser Auszug: S. 83-84.
Gezeichnet: 0SCAR WILDE.
Die Textwiedergabe erfolgt nach dem ersten Druck
(Editionsrichtlinien).
The Century Guild Hobby Horse online
URL: https://catalog.hathitrust.org/Record/012224071
URL: https://archive.org/advancedsearch.php
Zeitschriften-Repertorium
Kommentierte und kritische Ausgabe
Literatur: Wilde
Brandmeyer, Rudolf: Poetiken der Lyrik: Von der Normpoetik zur Autorenpoetik.
In: Handbuch Lyrik. Theorie, Analyse, Geschichte.
Hrsg. von Dieter Lamping.
2. Aufl. Stuttgart 2016, S. 2-15.
Bristow, Joseph (Hrsg.): The Fin-de-Siècle poem.
English Literary Culture and the 1890s.
Athens 2005.
Fitzsimons, Eleanor: In My Heaven He Walks Eternally with Shakespeare and the Greeks:
Oscar Wilde and John Keats.
In: The Wildean. A Journal of Oscar Wilde Studies 53 (2018 July), S. 22-32.
Foss, Chris: Oscar Wilde and the Importance of Being Romantic.
In: Wilde Discoveries. Traditions, Histories, Archives.
Hrsg. von Joseph Bristow u.a.
Toronto u.a. 2013, S. 43-64.
Grech, Leanne: Oscar Wilde's Aesthetic Education.
The Oxford Classical Curriculum.
Cham 2019.
Lipking, Lawrence: Poet-critics. In: The Cambridge History of Literary Criticism.
Bd. 7: Modernism and the New Criticism. Hrsg. von A. Walton Litz.
Cambridge u.a. 2000, S. 439-467.
Matthews, Geoffrey M. (Hrsg.): Keats. The Critical Heritage.
London 1971 (= The Critical Heritage Series).
Mendelssohn, Michèle: Making Oscar Wilde.
Oxford 2018.
Waithe, Marcus / White, Claire (Hrsg.): The Labour of Literature in Britain and France, 1830-1910.
Authorial Work Ethics.
London 2018.
Warner, Eric / Hough, Graham (Hrsg.): Strangeness and Beauty.
An Anthology of Aesthetic Criticism 1840-1910.
2 Bde. Cambridge u.a. 2009.
Literatur: Wilde-Rezeption
Bann, Stephen (Hrsg.): The Reception of Walter Pater in Europe.
London 2004.
Beckson, Karl (Hrsg.): Oscar Wilde.
The Critical Heritage.
Repr. London u.a. 1997.
Bianchi, Cristiano: Karl Kraus als Leser von Charles Baudelaire und Oscar Wilde.
Innsbruck u.a. 2009.
Bristow, Joseph (Hrsg.): Oscar Wilde and Modern Culture.
The Making of a Legend.
Athens, Ohio 2008.
Davis, Michael F. / Dierkes-Thrun, Petra (Hrsg.): Wilde's Other Worlds.
New York u. London 2018.
Evangelista, Stefano (Hrsg.): The Reception of Oscar Wilde in Europe.
London 2010.
Friedman, David M.: Wilde in America.
Oscar Wilde and the Invention of Modern Celebrity.
New York u.a. 2014.
Hänsel-Hohenhausen, Markus von:
Die frühe deutschsprachige Oscar-Wilde-Rezeption (1893 - 1906).
Bibliographie.
2. Aufl. Egelsbach 1999.
Marland, Rob (Hrsg.): Oscar Wilde - the Complete Interviews.
2 Bde. Jena 2022.
Martino, Pierpaolo: WILDE NOW.
Performance, Celebrity and Intermediality in Oscar Wilde.
Cham 2023.
Mayer, Sandra: Oscar Wilde in Vienna.
Pleasing and Teasing the Audience.
Leiden 2018.
Mitchell, Rebecca N.: Oscar Wilde and the French Press, 1880-91.
In: Victorian Periodicals Review 49.1 (2016), S. 123-148.
Morris, Roy, Jr.: Declaring His Genius.
Oscar Wilde in North America.
Cambridge, MA 2013.
Powell, Kerry u.a. (Hrsg.): Oscar Wilde in Context.
Cambridge u.a. 2013.
Rodríguez Navas, Ana / Bouzaglo, Nathalie (Hrsg.):
The Legacy of Oscar Wilde in Latin American Literature and Culture [Special Section].
In: Journal of Latin American Cultural Studies 28.3 (2019), S. 321-447.
Literatur: Keats-Rezeption
Christensen, Allan C. u.a. (Hrsg.): The Challenge of Keats.
Bicentenary Essays, 1795-1995.
Amsterdam u.a. 2000.
Eisner, Eric: Nineteenth-Century Poetry and Literary Celebrity.
Basingstoke u.a. 2009.
Hanke, Michael: John Keats in Deutschland.
In: Die Rezeption europäischer und amerikanischer Lyrik in Deutschland.
Hrsg. von Christine Fischer u. Ulrich Steltner.
Frankfurt am Main u.a. 1997, S. 33-52.
Matthews, Geoffrey M. (Hrsg.): Keats.
The Critical Heritage.
London 1971 (= The Critical Heritage Series).
Najarian, James: Victorian Keats.
Manliness, Sexuality, and Desire.
Basingstoke, Hampshire u.a. 2002.
O'Neill, Michael (Hrsg.): John Keats in Context.
Cambridge u. New York 2017.
Roux, Pascale: Éthos et style chez les traducteurs de poésie.
Keats, Leopardi et Heine en français.
Paris 2024.
Simonis, Linda: Die Heteronomie des l'art pour l'art.
John Keats und Théophile Gautier.
In: Heteronomieästhetik der Moderne.
Hrsg. von Irene Albers u.a.
Berlin 2022, S. 103-124.
Watson, Alex: "Truth in Beauty and Beauty in Truth":
Rabindranath Tagore's Appropriation of John Keats' "Ode on a Grecian Urn" (1819).
In: British Romanticism in Asia.
The Reception, Translation, and Transformation of Romantic Literature
in India and East Asia;
Hrsg. von Alex Watson, Laurence Williams.
Singapore 2019, S. 169-190.
Wootton, Sarah: Consuming Keats.
Nineteenth-Century Representations in Art and Literature.
Basingstoke u.a. 2006.
Literatur: The Century Guild Hobby Horse
Claes, Koenraad: The Late-Victorian Little Magazine.
Edinburgh 2018.
Kap. 2: Mounting the (Century Guild) Hobby Horse.
Codell, Julie F.: The Century Guild Hobby Horse, 1884-1894.
In: Victorian Periodicals Review 16.2 (1983), S. 43-53.
URL: https://www.jstor.org/stable/20082072
Evans, Stuart / Liddiard, Jean: Arts and Crafts Pioneers.
The Hobby Horse Men and their Century Guild.
London 2021.
Hart, Imogen: 'The Arts and Crafts Movement':
The Century Guild Hobby Horse (1884-94), The Evergreen (1895-7),
and The Acorn (1905-6).
In: The Oxford Critical and Cultural History of Modernist Magazines.
Hrsg. von Peter Brooker u.a.
Bd. 1: Britain and Ireland 1880-1955.
Oxford 2009, S. 120-141.
Edition
Lyriktheorie » R. Brandmeyer