Edward Phillips

 

 

Discourse of the Poets and Poetry in Generall.

[Auszug]

 

Text
Editionsbericht
Literatur

 

[...] another thing yet more considerable is conduct and design in whatever kind of Poetry, whether the Epic, the Dramatic, the Lyric, the Elegiac, the Epænetic, the Bucolic, or the Epigram; under one of which all the whole circuit of Poetic design, is one way or other included; so that whoever [27] should desire to introduce some new of Poem of different fashion, from any known to the Antients, would do no more then he that should study to bring a new Order into Architecture, altogether different both from the Doric, Ionic, Corinthian, Tuscan and Composite. Epigram, is as it were the fag end of Poetry, and indeed consists rather of conceit and acumen of Wit, then of Poetical invention, yet it is more commendable to be a Martial in Epigram then Juvenal's Codrus in Heroic Poetry. The Epænetic, comprehends the Hymn, the Epithalamium, the Genethliacon, or what else tends to the praise or congratulation of Divine, or on Earth Eminent Persons: the Bucolic, on Eclogue, pretends only the familiar discourse of Sheapheards about their Loves or such like concernments, yet under that umbrage treats oft times of higher matters thought convenient to be spoken of rather mysteriously and obscurely, then in plain tearms: the Elegiac seems, intended at first for complaint of crosses in Love, or other calamitous accidents, but became applicable afterwards to all manner of subjects and various oc[28]casions: the Lyric consists of Songs or Airs of Love, or other the most soft and delightfull subject, in verse most apt for Musical Composition, such as the Italian Sonnet; but most especially Canzon and Madrigal before mentioned, and the English Ode heretofore much after the same manner: the Dramatic comprehends Satyr, and her two Daughters Tragedy and Comedy: the Epic is of the largest extent, and includes all that is narrative either of things or Persons, the higst degree whereof is the Heroic, as Tragedy of the Dramatic, both which consist in the greatness of the Argument [...].

 

 

 

 

Erstdruck und Druckvorlage

Theatrum Poetarum, or a compleat Collection of the Poets, Especially The most Eminent, of all Ages.
The Antients distinguish't from the Moderns in their several Alphabets.
With some Observations and Reflections upon many of them, particularly those of our own Nation.
Together With a Prefatory Discourse of the Poets and Poetry in Generall.
By Edward Phillips.
London: Printed for Charles Smith 1675.
Discourse: 47 Seiten; ungezählt .

Unser Auszug: S. *26-*28.

Die Textwiedergabe erfolgt nach dem ersten Druck (Editionsrichtlinien).

PURL: https://hdl.handle.net/2027/nyp.33433067278204

 

 

Literatur

Domsch, Sebastian: The Emergence of Literary Criticism in 18th-Century Britain. Discourse between Attacks and Authority. Berlin u. Boston 2014 (= Buchreihe der Anglia / Anglia Book Series, 47).

Gavin, Michael: The Invention of English Criticism, 1650–1760. Cambridge 2015.

Genette, Gérard: Paratexte. Das Buch vom Beiwerk des Buches. Frankfurt a.M. 2001 (= suhrkamp taschenbuch wissenschaft, 1510).

Hopkins, David / Martindale, Charles (Hrsg.): The Oxford History of Classical Reception in English Literature. Bd. 3: 1660-1790. Oxford 2012.

Hunter, J. Paul: Political, satirical, didactic and lyric poetry (I) from the Restauration to the death of Pope. In: The Cambridge history of English literature, 1660-1780. Hrsg. von John Richetti. Cambridge u.a. 2005, S. 160-208.

Knoppers, Laura L. (Hrsg.): The Oxford History of Poetry in English. Volume 5: Seventeenth-Century British Poetry. Oxford 2024.

Lynch, Jack (Hrsg.): The Oxford Handbook of British Poetry, 1660-1800. Oxford 2016.

Maus, Katharine Eisaman: The Oxford English Literary History. Bd. 4: 1603–1660. Literary Cultures of the Early Seventeenth Century. Oxford 2025.
Kap. II,3: Thinking About Genre in Seventeenth-Century England.

Mauduit, Christine u.a. (Hrsg.): Brill's Companion to the Reception of Aristotle's Poetics. Leiden u. Boston 2025.

Rodriguez, Antonio (Hrsg.): Dictionnaire du lyrique. Poésie, arts, médias. Paris 2024.

Sauer, Elizabeth (Hrsg.): Emergent Nation. Early Modern British Literature in Transition, 1660–1714. Cambridge 2019.

Scherpe, Klaus R.: Gattungspoetik im 18. Jahrhundert. Historische Entwicklung von Gottsched bis Herder. Stuttgart 1968.
Vgl. S. 60-61.

Stockhorst, Stefanie: Reformpoetik. Kodifizierte Genustheorie des Barock und alternative Normenbildung in poetologischen Paratexten. Tübingen 2008 (= Frühe Neuzeit, 128).

Trappen, Stefan: Gattungspoetik. Studien zur Poetik des 16. bis 19. Jahrhunderts und zur Geschichte der triadischen Gattungslehre. Heidelberg 2001 (= Beihefte zum Euphorion, 40).

Wright, Gillian: The Restoration Transposed. Poetry, Place and History, 1660–1700. Cambridge 2020.

Zymner, Rüdiger (Hrsg.): Handbuch Gattungstheorie. Stuttgart u.a. 2010.

 

 

Edition
Lyriktheorie » R. Brandmeyer