T. S. Eliot



Hamlet and His Problems



Literatur: Eliot
Literatur: The Athenaeum


The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.





Erstdruck und Druckvorlage

The Athenaeum.
A Journal of Literature, Science and the Arts.
Nr. 4665, 1919, 26. September, S. 940-941.

Gezeichnet: T. S. E.

Unser Auszug: S. 941.

Die Textwiedergabe erfolgt nach dem ersten Druck (Editionsrichtlinien).

The Athenaeum   online
URL: https://catalog.hathitrust.org/Record/009663854
PURL: http://resolver.sub.uni-goettingen.de/purl?PPN617810966
URL: https://onlinebooks.library.upenn.edu/webbin/serial?id=athenaeum





Kommentierte und kritische Ausgabe





Altieri, Charles: Reading Bradley after reading Laforgue. How Eliot transformed Symbolist poetics into a paradigmatic Modernism. In: Modern Language Quarterly 72.2 (2011), S. 225-252.

Brandmeyer, Rudolf: Poetiken der Lyrik: Von der Normpoetik zur Autorenpoetik. In: Handbuch Lyrik. Theorie, Analyse, Geschichte. Hrsg. von Dieter Lamping. 2. Aufl. Stuttgart 2016, S. 2-15.

Callison, Jamie: Transmuting F. H. Bradley. T. S. Eliot's Notes Towards a Theory of Poetry. In: T. S. Eliot Studies Annual 1 (2017), S. 99-113.

Gallup, Donald: T. S. Eliot. A Bibliography. London 1969.

Greenburg, Bradley: T. S. Eliot's Impudence. Hamlet, Objective Correlative, and Formulation. In: Criticism. A Quarterly for Literature and the Arts 49 (2007), S. 215-239.

Griffiths, Dominic: T. S. Eliot and Others: The (More or Less) Definitive History and Origin of the Term "Objective Correlative". In: English Studies. A Journal of English Language and Literature 99.5-6 (2018), S. 642-660.

Lipking, Lawrence: Poet-critics. In: The Cambridge History of Literary Criticism. Bd. 7: Modernism and the New Criticism. Hrsg. von A. Walton Litz. Cambridge u.a. 2000, S. 439-467.

Olsen, Flemming: Eliot's Objective Correlative. Tradition or Individual Talent. Contributions to the History of a Topos. Brighton u.a. 2012.

Teubner, Rachel: An Analysis of T.S. Eliot's The Sacred Wood Essays on Poetry and Criticism. London 2017.



Literatur: The Athenaeum

Cuny, Noëlle: Le Dialogue de la science et de l'art dans Blast, The Athenaeum, The Signature. In: Revues modernistes anglo-américaines. Lieux d'échanges, lieux d’exil. Hrsg. von Benoît Tadié. Paris 2006, S. 201-217.

Demoor, Marysa: Their Fair Share. Women, Power, and Criticism in the Athenaeum, from Millicent Garratt Fawcett to Katharine Mansfield, 1870-1920. Aldershot u.a. 2000.

Demoor, Marysa: John Middleton Murry's Editorial Apprenticeships. Getting Modernist Rhythm into the Athenaeum, 1919-1921. In: English Literature in Transition, 1880-1920. 52.2 (2009), S. 123-143.

Marchand, Leslie A.: The Athenaeum. A Mirror of Victorian Culture. New York 1971 (Reprint of the 1941 ed., Chapel Hill).

Shattock, Joanne (Hrsg.): Journalism and the Periodical Press in Nineteenth-Century Britain. Cambridge 2019.

Wellens, Oscar: 'The Brief and Brilliant Life of the The Athenaeum under Mr. Middleton Murry' (T.S. Eliot). In: Neophilologus 85 (2001), S. 137-152.
URL: https://link.springer.com/content/pdf/10.1023/A:1004857232007.pdf

Whitworth, Michael H.: Enemies of Cant: The Athenaeum (1919-21) and The Adelphi (1923-48). In: The Oxford Critical and Cultural History of Modernist Magazines. Hrsg. von Peter Brooker u.a. Bd. 1: Britain and Ireland 1880-1955. Oxford 2009, S. 364-388.



Lyriktheorie » R. Brandmeyer