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IN the eighteenth century it was expected of a poet that he should instruct as well as interest; traces of this frame of mind are noticeable in much nineteenth-century poetry, and they are still present in our academic, correct, sound, whatever you choose to call it, criticism. The ordinary reviewer's preoccupation with a poet's "message" is another eighteenth-century relic. The poets of the nineteenth century – and, indeed, of many other centuries – who have most influenced the younger generation departed from this rule. They did not presume to instruct nor consciously to "elevate" their audience, but were content to render life as they saw it, leaving the reader to form his own judgment, treating him as a reasonable equal, not as a child or an inferior, to be impressed by recondite knowledge, by bombastic language and high-falutin' sentiments. From a passion for general ideas we have been converted to a passion for diverse personalities; we easily grow weary of generalities, but there can never be in the world too many curious or interesting or fantastic personalities. We have come to refuse to attribute an immense superiority to the writers of "classic" periods, the Attic tragedians, the Augustan poets, the authors of le grand siècle, and the Elizabethans; we do not, indeed, deny their genius, but a modern, who reads poetry for love of it and not from a sense of duty nor from compulsion, tends to widen very greatly the scope of his reading, to forgive vast quantities of so-called "faults" in poetry provided that the words give him the sensation of being in contact with a new. unique personality. Such an attitude may or may not be "decadent" – it is probable that it has nothing to do with decadence – but for better or for worse it has become the attitude of a large and active part of the modern intellectual world.
We do not nowadays expect a poet to profess pious and probably hypocritical sentiments; to parler raison et vertu is now as affected as to parler Euphues; we immediately suspect that the poet who professes so great virtue, or so profound sympathy, or so altruistic an interest in humanity, is recording what he ought to be rather than what he is. It may be the scientific spirit, it may be the devil, it may be from ennui, it may be from a healthy interest, but it is true that we are now primarily interested in the poet's personality whether he reveal it consciously or unconsciously. Whenever I read Racine or Virgil I find that to keep up my interest I have to tell myself what wonderful men they were, that they really existed, that they ate and drank and [110] fell in love and committed follies and eccentricities and generosities like any other human being. On the other hand, when I read Catullus or some modern Frenchman I find my interest in their world so intense that I do not need to use any artifice to re-kindle my interest.
The limited faculties of each one of us give us one world and only one, but every artist has fixed for us his world, and vicariously we can re-live his most poignant moments, we can increase our sensations, our existences. How curiously monotonous, even to the most sensitive and most imaginative nature, must life have been before the arts were devised to admit us into the different worlds perceived by the greatest of our fellows.
Erstdruck und Druckvorlage
The Egoist.
Bd. 2, 1915, Nr. 7, 1. Juli, S. 109-110.
Unser Auszug: 109-110.
Gezeichnet: Richard Aldington
Die Textwiedergabe erfolgt nach dem ersten Druck
(Editionsrichtlinien).
The Egoist online
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
URL: https://catalog.hathitrust.org/Record/102458528
The Egoist inhaltsanalytische Bibliographie
URL: https://www.unionofegoists.com/journals/the-egoist-1914/#index-of-issues
Zeitschriften-Repertorium
Werkverzeichnis
Verzeichnis
Kershaw, Alister: A Bibliography of the Works of Richard Aldington from 1915 to 1948.
London: Quadrant Press 1950.
Aldington, Richard: Two Books.
In: The Egoist.
Bd. 1, 1914, Nr. 4, 16. Februar, S. 66-67.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard: Le Latin Mystique.
In: The Egoist.
Bd. 1, 1914, Nr. 6, 16. März, S. 101-102.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard:
Modern Poetry and the Imagists.
In: The Egoist.
Bd. 1, 1914, Nr. 11, 1. Juni, S. 201-203.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard: Some Recent French Poems.
In: The Egoist.
Bd. 1, 1914, Nr. 12, 15. Juni, S. 221-223.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard (Übers.): Remy de Gourmont, Tradition and Other Things.
In: The Egoist.
Bd. 1, 1914, Nr. 14, 15. Juli, S. 261-262.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard: Lautréamont.
In: The Egoist.
Bd. 1, 1914, Nr. 16, 15. August, S. 308-309.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard (Übers.): Nicholas Beauduin, The New Poetry of France.
In: The Egoist.
Bd. 1, 1914, Nr. 16, 15. August, S. 313-316.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard: Free Verse in England.
In: The Egoist.
Bd. 1, 1914, Nr. 18, 15. September, S. 351-352.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard: Charles Péguy and His Work.
In: The Egoist.
Bd. 1, 1914, Nr. 20, 15. Oktober, S. 386-387.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard: Two Poets.
In: The Egoist.
Bd. 1, 1914, Nr. 22, 16. November, S. 422-423.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard: The Case of French Poetry.
In: The Little Review.
Bd. 1, 1915, Nr. 11, Februar, S. 18-19.
URL: https://modjourn.org/journal/little-review/
URL: https://catalog.hathitrust.org/Record/007150627
URL: https://catalog.hathitrust.org/Record/000046739
Aldington, Richard: A Young American Poet.
In: The Little Review.
Bd. 2, 1915, Nr. 1, März, S. 22-25.
URL: https://modjourn.org/journal/little-review/
URL: https://catalog.hathitrust.org/Record/007150627
URL: https://catalog.hathitrust.org/Record/000046739
Aldington, Richard: Some Reflections on Ernest Dowson.
In: The Egoist.
Bd. 2, 1915, Nr. 3, 1. März, S. 41-42.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard: The Poetry of Paul Fort.
In: The Little Review.
Bd. 2, 1915, Nr. 2, April, S. 8-11.
URL: https://modjourn.org/journal/little-review/
URL: https://catalog.hathitrust.org/Record/007150627
URL: https://catalog.hathitrust.org/Record/000046739
Aldington, Richard: Decadence and Dynamism.
In: The Egoist.
Bd. 2, 1915, Nr. 4, 1. April, S. 56-57.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard: The Poetry of Ezra Pound.
In: The Egoist.
Bd. 2, 1915, Nr. 5, 1. Mai, S. 71-72.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard: The Poetry of Amy Lowell.
In: The Egoist.
Bd. 2, 1915, Nr. 7, 1. Juli, S. 109-110.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard: Laurent Tailhade.
In: The Egoist.
Bd. 2, 1915, Nr. 10, 1. Oktober, S. 159-161.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard: Remy de Gourmont.
In: The Egoist.
Bd. 2, 1915, Nr. 11, 1. November, S. 169.
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
Aldington, Richard: Remy de Gourmont.
In: The Drama.
Bd. 6, 1916, Nr. 22, Mai, S. 167-183.
URL: https://catalog.hathitrust.org/Record/000045323
Aldington, Richard: Poet and Painter: A Renaissance Fancy.
In: The Dial.
Bd. 62, 1917, Nr. 733, Januar, S. 7-9.
URL: https://catalog.hathitrust.org/Record/000052812
URL: https://onlinebooks.library.upenn.edu/webbin/serial?id=thedial
Copp, Michael (Hrsg.): An Imagist at War.
The Complete War Poems of Richard Aldington.
Madison, NJ: Fairleigh Dickinson University Press 2002.
Copp, Michael (Hrsg.): Imagist Dialogues.
Letters between Aldington, Flint, and Others.
Cambridge: Lutterworth Press 2009.
Gates, Norman T. (Hrsg.): Richard Aldington.
An Autobiography in Letters.
University Park, Pa.: Pennsylvania State Univ. Press 1992.
Pondrom, Cyrena N.: The Road from Paris.
French Influence on English Poetry, 1900 – 1920.
Cambridge: University Press 2010.
mit mehreren Texten von Aldington.
Zilboorg, Caroline (Hrsg.): Richard Aldington and H.D.
Their Lives in Letters, 1918-1961.
Manchester u.a.: Manchester University Press 2003.
Literatur: Aldington
Brandmeyer, Rudolf: Poetiken der Lyrik: Von der Normpoetik zur Autorenpoetik.
In: Handbuch Lyrik. Theorie, Analyse, Geschichte.
Hrsg. von Dieter Lamping.
2. Aufl. Stuttgart 2016, S. 2-15.
Doyle, Charles (Hrsg.): Richard Aldington: Reappraisals.
Victoria, B.C., Canada 1990.
Levenson, Michael H.: A Genealogy of Modernism.
A study of English literary doctrine 1908 – 1922.
Cambridge u.a. 1984.
Munich, Adrienne / Bradshaw, Melissa (Hrsg.): Amy Lowell, American Modern.
New Brunswick, N.J. u.a. 2004.
Pondrom, Cyrena N.: The Road from Paris.
French Influence on English Poetry, 1900 – 1920.
Cambridge 2010.
Rhee, Young Suck: London and Modernist Poetry.
Yeats, Eliot, Flint, Aldington.
In: The Yeats Journal of Korea 50 (2016), S. 67-83.
Whelpton, Vivien: Richard Aldington.
Poet, Soldier, Lover. 1911 - 1929.
Cambridge 2014.
Literatur: The Egoist
Binckes, Faith / Snyder, Carey (Hrsg.):
Women, Periodicals and Print Culture in Britain, 1890s-1920s.
The Modernist Period.
Edinburgh 2019.
Bornstein, George: Material Modernism.
The Politics of the Page.
New York 2001.
Brooker, Peter: The Freewoman, The New Freewoman et The Egoist:
femmes modernes et modernisme masculin.
In: Revues modernistes anglo-américaines. Lieux d'échanges, lieux d’exil.
Hrsg. von Benoît Tadié.
Paris 2006, S. 129-140.
Clarke, Bruce: D. H. Lawrence and the Egoist Group.
In: Journal of Modern Literature 18.1 (1992), S. 65-76.
URL: https://www.jstor.org/stable/3831547
Clarke, Bruce: Dora Marsden and Early Modernism:
Gender, Individualism, Science.
Ann Arbor 1996.
Clarke, Bruth: Suffragism, Imagism, and the "Cosmic Poet":
Scientism and Spirituality in The Freewoman and The Egoist.
In: Little Magazines & Modernism. New Approaches.
Hrsg. von Suzanne Churchill u. Adam McKible.
Aldershot, England 2007, S. 119-131.
Cuny, Noëlle: D'un style scientifique dans certaines revues d’avant-garde
(BLAST, The Signature, The Egoist, 1914-1915).
In: Études de stylistique anglaise [En ligne] 2 (2011), S. 23-38.
URL: http://journals.openedition.org/esa/1783
Doyle, Charles: Richard Aldington. A Biography.
Basingstoke u.a. 1989.
Harding, Jason: Tradition and Egoism: T. S. Eliot and The Egoist.
In: T. S. Eliot and the Concept of Tradition.
Hrsg. von Giovanni Cianci.
Cambridge u.a. 2007, S. 90-102.
Marek, Jayne: Women Editing Modernism.
Lexington 1995.
Morrisson, Mark S.: The Public Face of Modernism.
Little Magazines, Audiences, and Reception, 1905-1920.
Madison, Wis. u.a. 2001.
Kap 3: Marketing British Modernism:
The Freewoman, the Egoist, and Counterpublic Speres (S. 84-132).
Rabaté, Jean-Michel: Tradition moderniste ou taxonomie des petites revues:
The New Age, The Egoist, transition.
In: Revues modernistes anglo-américaines. Lieux d'échanges, lieux d’exil.
Hrsg. von Benoît Tadié.
Paris 2006, S. 31-57.
Rabaté, Jean-Michel: Gender and Modernism:
The Freewoman (1911-12); The New Freewoman (1913),
and The Egoist (1914-19).
In: The Oxford Critical and Cultural History of Modernist Magazines.
Hrsg. von Peter Brooker u.a.
Bd. 1: Britain and Ireland 1880-1955.
Oxford 2009, S. 269-289.
Thacker, Andrew: Dora Marsden and The Egoist: "Our War Is With Words".
In: English Literature in Transition, 1880-1920. Vol. 36.2 (1993), S. 179-196.
Edition
Lyriktheorie » R. Brandmeyer